Browse by Palette

Terracotta, copper, gold, and coral tones on warm, light grounds — grounded, inviting, and full of character.

Grand Canyon — Daichi no Sakeme

Layered terracotta and sand strata that bring quiet authority to an executive office or study.

Gold Flow — Konjiki no Nagare

Molten gold currents move across a dark ground, a cosmopolitan statement piece for a city home.

Get Over the Mountain — Yama wo Koeru

Ridgelines and rising light in pine and copper, built for a home that treats every summit as the next climb.

Ripples on the Sunset — Yuhi no Hamon

Warm coral light rippling across deep plum, a composition built for the moment a day winds down.

Forefathers Insight — Senjin no Manako

Ink-black form meets a single vermillion mark, restraint drawn from centuries of Japanese brushwork.

Sun Beam — Nikko

Terracotta and sand radiating from a single point, muted enough to work behind a desk all day.

Rounded Marble — Marui Dairiseki

Slate, ochre and bone stones seen from above, with three small points of red setting the rhythm.

Vertical Streaks — Tatejima

Indigo and ochre pulled downward in one pass of the brush, closer to woven cloth than to print.

Eagles Perspective — Taka no Mesen

Farmland from altitude, every plot outlined in fine gold — density enough to hold a study or a library.

Indigo, ice blue, sage, and periwinkle tones on light grounds — calm, considered, and quietly confident.

Heaven and Earth — Tenchi

A bold study in balance and scale, anchored in indigo with a warm gold accent line.

Flowing Dream — Nagareru Yume

Soft sage and ivory in gentle, Japandi-inspired harmony, made for a home you've reclaimed as your own.

Antarctic Sunrise — Konjiki no Asayake

Ice-pale blues meet the first warm light of morning, bringing Japandi calm to any wall.

Universe — Sora

A wide, atmospheric field of sky and space that brings quiet authority to an executive workspace.

Whirlpools — Uzushio

Deep indigo folds into seafoam, capturing the exact moment water begins to turn.

Space-time Distortion — Jiku no Yugami

Folded, grid-like planes in graphite and cyan, engineered structure for a modern study.

Fold a Kimono — Tatami Kimono

Layered indigo folds echo the patient, precise act of folding fabric by hand.

Star Formation — Hoshi no Tanjyo

Layers of sage and pine folding inward, edged in thin gold — green that behaves like a neutral.

Jelly Fish — Kurage

One drifting form on open ground, where most of the piece is the space around it.

Ocean and Mountain — Umi to Yama

A grid of panels holding fragments of sea and hillside, cool enough to lower a room’s temperature.

Saturated cobalt, vermillion, and gold on bright grounds — confident, high-contrast work for a wall you want people to notice.

Waves of Emotion — Kokoro no Uneri

Cobalt swells cut by vermillion and sumi black, with enough movement to carry a whole wall.

Time Travel — Jiku no Ryoko

Coral, mustard and cobalt converging on one point — geometry with somewhere to go.

Two Galaxies — Futatsu no Ginga

Two spiral discs joined by a single sweeping curve, giving an open room its centre of gravity.

Ravine — Keikoku

A gorge read from above in contour lines, with one vermillion river running through it.

Typhoon Eye — Taifu no Me

Rings of teal, amber and vermillion turning around one pale, still centre.

Wind Dance — Kaze no Mai

Ribbons of blue and ochre drawn the way old prints drew moving air.

Wind Path — Kaze no Torimichi

Channels of teal and orange cutting diagonally — the one line a square room cannot supply itself.

Seafloor — Unazoko

Ringed discs packed edge to edge, saturated enough to supply all the colour a room needs.

Vertical Wave — Tate no Nami

Swell after swell in cobalt and vermillion, dense enough to hold a double-height wall.

Colourful Land — Daichi

Strata of teal, pine and vermillion arching across the frame, with a gold seam through the middle.

Honeycomb Core — Hachinosu Kozo

Hexagonal cells in indigo and ochre, each filled with a different material — order made visible.

Water Orb — Mizu no Tama

Bubbles rising through cobalt and vermillion, each one drawn as a spiral of brushstrokes.