Japandi Living
Layers of sage, pine and pale mint folding inward, edged in thin gold. Something forming slowly, held at the moment before it resolves.
Shop the PrintThe composition is built from a handful of layered shapes and stops there. That editing instinct is the common ground between Scandinavian and Japanese interiors, and it is what makes an uncluttered room feel finished rather than empty.
Sage and pine behave like neutrals against oak, linen and stone. The piece adds colour to a pared-back room without committing it to a scheme you may not want in five years.
A quiet main wall is a choice, not a default. This is the piece for the household that has already removed what it does not need and is choosing carefully what goes back.
Each form slips under the next rather than butting against it. Without hard boundaries the piece settles into a wall instead of announcing itself on one.
The gold appears only along a few seams, at the width of a drawn line. It catches lamplight in the evening and disappears in daylight — the whole accent, used sparingly.
The banding echoes the grain already present in stone and timber. Rooms built from natural materials tend to absorb this piece rather than have to accommodate it.
Hoshi no Tanjyo
Green and pale mint lower the temperature of a space before you have touched anything. Coming home to that at the end of a long day is the practical case for the piece.
Nothing in the composition resolves on the first pass. It gives the eye somewhere unhurried to go, which is a different thing from a piece that simply matches the sofa.
The gold seams read differently under morning light, lamplight and grey weather. One wall, quietly reworking itself across the week.
Muted greens and a thin metallic line are unforgiving of cheap reproduction. Both formats here are built to hold them.
Acrylic prints face-mount the image behind cast acrylic, sealing the surface while holding high-definition clarity along the gold seams. The layering gains real depth, and the panel is unaffected by humidity.
Metal prints bond the inks into coated aluminium. The result resists scratching and fading, wipes clean, and gives the greens a cooler, more luminous reading.
Both finishes are produced to archival standards. Muted palettes are the first to look tired when a print fades, which is exactly why the substrate matters here.
Star Formation
Select acrylic or metal, and the size that fits your wall — from a panel above a low sideboard to a full-wall installation.
Every order ships with free shipping across the USA and Canada, with no extra fees at checkout.
Prints arrive ready to hang and are backed by Pictorem's 30-day money-back guarantee, so the decision is entirely risk-free.
Order Star Formation — Hoshi no Tanjyo in the format and scale that suits your wall.
Shop Star Formation — Hoshi no TanjyoSee how this piece sits alongside the wider body of work in the KOSAKI DESIGN gallery.
View the Full CollectionThe quietest wall in the house, and the one people keep looking at.