Japandi Living
Ocean and Mountain — Umi to Yama
A grid of painted panels, each holding a fragment of sea or hillside. Indigo and pine, divided by thin timber lines — a landscape assembled rather than painted.
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Japandi Living
A grid of painted panels, each holding a fragment of sea or hillside. Indigo and pine, divided by thin timber lines — a landscape assembled rather than painted.
Shop the Print
Timber-divided panels are the basic vocabulary of a Japanese room and, differently, of a Scandinavian cabinet front. The composition is built from something both traditions already own.
Indigo and pine repeat across every panel in different proportions. That single restriction is what lets a busy grid still read as calm from across the room.
Because the composition has no single centre, it survives having a sideboard, a lamp or a stack of books in front of the lower third. Few landscapes do.
No panel shows a whole scene. Each holds a horizon, a slope or a run of water, and the eye assembles the landscape itself. That participation is the quiet pleasure of the piece.
Some panels are dense with ruled water lines, others nearly empty. Alternating density is how the composition breathes without changing colour.
A single square is given over to vermillion. It has no landscape in it at all, and it is the reason your eye keeps returning to the centre of the grid.
Umi to Yama
Indigo and green lower the temperature of a room on sight. Walking in from a hot street or a long commute, that registers before you have taken your coat off.
You will not look at the same square twice in a week. A composition made of parts gives you somewhere new to land every morning.
There is no drama here to get tired of. It is a piece designed for the room you spend the most hours in, not the one you show people.
Thin dividing lines and fine ruled water are precisely what a brushed metal panel renders better than anything else.
Metal prints bond the inks into a coated aluminium sheet, so every timber divider stays crisp and the ruled water lines hold at full scale. The brushed grain reads convincingly as the surface of the panels themselves.
Scratch-resistant, fade-resistant and wipeable. For a piece hung above a sideboard in a room that gets lived in, that is the practical argument.
For deeper colour, acrylic prints intensify the indigo and give the grid real depth. Fine art paper is also offered for the softest, most papery reading.
Ocean and Mountain
Select metal or acrylic, and the size that fits your wall — the grid holds up well above a sideboard or a low bookcase.
Every order ships with free shipping across the USA and Canada, with no extra fees at checkout.
Prints arrive ready to hang and are backed by Pictorem's 30-day money-back guarantee, so the decision is entirely risk-free.
Order Ocean and Mountain — Umi to Yama in the format and scale that suits your wall.
Shop Ocean and Mountain — Umi to YamaSee how this piece sits alongside the wider body of work in the KOSAKI DESIGN gallery.
View the Full CollectionA landscape that fits the room you actually live in.